#and agree to get over it)

[thesaltyace]

Y'all I did NOT know this about Harris, and I think it's really critical that we all listen and understand as we approach this election. Video at the end.

This creator's video describes how progressive Harris was as a prosecutor -- actively going against the grain to the point she was accused of being soft on crime. Accused of being a social worker, not a prosecutor. She calls it being smart on crime. She's pushing for systemic changes to give real pathways to reintegrate incarcerated folks back into society and prevent their past from continuing to haunt them moving forward.

"Kamala's a cop" is a catchy dismissive response usually used to shut down conversation rather than add nuance. But this kind of reform is ESSENTIAL to work towards a present and future that treats incarcerated people with value.

I fell for it in 2020 and have thought "Kamala's a cop" without further inspection since - and I'm sobered by the realization that (you guessed it!) I'm not immune to propaganda.

A better system only follows liberal democracy, because library democracy allows for exploration of better systems. If authoritarianism takes hold, it will not allow for the exploration of better systems. We will have to fight tooth and nail just to try to get back to liberal democracy, and I suspect we could not achieve it in our lifetimes.

Harris isn't perfect. But she's a hell of a lot better than many leftists have led me to believe. Don't let perfection be the enemy of good. Don't let perfection be the enemy of harm reduction.

We can either help elect Trump and usher in authoritarian fascism, or we can help defeat him and pull things back in the direction we want to go. Not liking the choices doesn't absolve you from participating and doing the most good you can with the options available.

I'll link the original video in the replies. The original video has captions if you need them.

[chloesimaginationthings]

What Vanessa was actually thinking during this FNAF scene

[mumblesplash]

i know it’s like years old at this point but i love that one collab mumbo and grian did with tommyinnit bc it’s like the single most concentrated example i’ve seen of mumbo’s Chaos Nullification Powers

you get to see a bit of it on hermitcraft, mostly via his interactions with grian, but until seeing that collab it didn’t really hit me just how completely mumbo can no-sell other people’s attempts to control a situation. tommyinnit is possibly the single shoutiest, most chaotic minecraft youtuber out there, and in most videos i’ve seen he pretty much overwhelms everyone else and sets the tone for interactions because of this. but mumbo just. doesn’t let him. no matter how much tommy escalates in intensity, mumbo reacts with *exactly* the same energy he always does. grian largely comes across in the whole video as annoyed and reluctant to engage with the whole thing, but mumbo’s not even affected. he just rolls with anything he finds funny and basically ignores anything he disapproves of, only seeming more and more unflappable the harder anyone tries to get a rise out of him.

AND imo, this is the key to my favorite interpretation of him as a character

see, when the people around him are being more reasonable/calm, i think mumbo often comes across as anxious and a bit easily overwhelmed. the thing is, his nervous wet cat vibes do not scale. he has one setting. his responses to the last life ‘ah-ha!’ jokes and to hermitcraft 8 starting to crumble to pieces under a falling moon are almost identical.

mumbo jumbo is inexorably and eternally Just Some Guy, but that gets stranger and stranger the weirder his surroundings become. the giggly incredulousness that makes him an easy target for goofy puns looks Very different when it’s also his reaction to the impending end of the world.

[stil-lindigo]

ARTISTS FOR PALESTINE 🇵🇸 - ROUND 3!! On the 26th April and 3rd of May, I'll be doing art requests on stream with other notable artists to raise money for Palestinian escape funds.

This round's roster is very lucky to include returning artists including webcomic artist Graveweaver (I'm The Grim Reaper), @wolfythewitch, Cuptoast, Denimcatfish and more.

If you won't be able to make it to the streams but would still like to donate money, you can find a spreadsheet with hundreds of escape funds listed here. Alternatively, you could donate to one of three funds that I am focusing a lot of my efforts on.

Donate to Anwar's family (€8,000 from escaping) Donate to Thaer’s fund (€7,000 from escaping) Donate to Salwa Al-Shandagha ($9,000 from escaping)

As always, these fundraiser streams will always be available to watch over on my twitch channel here. Hope to see some of you there!

[xplore-the-unknwn]

NOA AND MAE ARE NEVER BEATING THE ROMANCE ALLEGATIONS 😆😭

vid by @dewiidrop on Tiktok

Even Tiktok got crazy over them. The comments had me gagging. 😫

“deadass like why did I feel like they was about to fuck the whole time” comment got me 😭

Wes what have you done 😆 The chemistry got us all feral for them. Whatever hes doing- let him cook!!

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[demaparbat-hp]

Oh, Aang, you're really in it now...

This is Zu—I mean, Jian Li and Katara's second meeting in the Kyoshi Warriors AU. The first proper one, anyway.

Once they get through a minor difference of opinion or two (“I can carry my own basket!” “Never said you—” “I'm not weak!” “I didn't—” “Just because I'm a girl doesn't mean—” “Would you listen for once, woman?!” ) they'll become nearly inseparable.

For now Jian Li will carry Katara's basket all the way to the Kyoshi Warriors' dojo and, once there, they'll mercilessly tease Sokka when they see him in uniform.

[boojangs]

Enid: Wednesday, go apologize to Thing or I won't help you.

Wednesday:

Enid:

Wednesday: Yes, querida.

Enid: Wednesday, I made a black cat costume for you.

Wednesday:

Enid:

Wednesday: Yes, querida.

Enid: Wednesday, I made us matching snoods!

Wednesday:

Enid:

Wednesday: Yes, querida.

Enid: Wednesday, please get rid of your creepy crime board.

Wednesday:

Enid:

Wednesday: Yes, querida.

Enid: Wednesday, please hold me in your-

Wednesday: Yes, querida.

[myiliterallyhavenolifegoals]

i'm unwell!!! because in stede's eyes, ned low was right!! ned says "he [ed] only likes you because of your bumbling amateur status" and calls stede blackbeard's "pet" just like izzy did in series 1

so stede steps up as a captain, kills the man who harmed his crew, and suddenly, for once in stede's life, he isn't a joke! the gentleman pirate is taken seriously and welcomed into the pirate community!

and what happens less than 24 hours later? ed calls their night together a mistake, AND LEAVES.

yes, obviously the situation is more nuanced, and these old men are once again struggling to communicate, but i 100% understand why stede went a bit of the rails at the end of episode 7. stede's been so focused on trying to help ed, that he's completely ignored his own ongoing identity crisis and trauma, and after the incident at the academy in series 1, this meltdown was long overdue.

[drownedkiwi]

And if I said lucanis's and spites major conflict comes from lucanis shutting down and refusing to experience life out of fear. That lucanis not fulfilling their deal is out of refusing to live and not revenge. That spite desperately wants lucanis to live. What then

[imvec]

Sequel to Sunshade

[3liza]

I don't know how many times we have to say this but this is because the United States of America does not have public transit in any form that a European would recognize as such outside of a few very small, highly-dense municipal locations like NYC and Chicago, and having used both those systems and the U-Bahn i can firmly assert that the U-Bahn blows American subways into smithereens. we especially do not have accessible interstate passenger train service outside of that one commuter Amtrak loop in the northeast. the country is designed to force its citizens to use cars and only cars, and the government has made it policy to incentivize car ownership since the 1940s and punish any other form of transit, including just walking around. do you understand? the vast majority of roads here do not have bike lanes. when we do have bike lanes they are not protected by a curb or divider, they are just white lines painted on the asphalt. you will regularly encounter roads and streets--inside of cities and suburbs, not just in rural areas--that do not have sidewalks

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[kizzer55555]

Core Gems

So when a ghost becomes injured, they have a last ditch defense where they retreat into their core. And I mean, injured badly where their body is rip apart to the point they can’t hold a solid form anymore. And they basically go into a hibernation state until they are strong enough to form again.

Ellie, Danny, and Dan are all injured in a final battle against the GIW. The organization was destroyed and the ghosts were safe but the halfas ended up being so injured that they reverted to core form and then went to sleep for a bit. When they woke up, they were still weak but at least recovered enough to gain consciousness. And realize…they are in some kind of auction…in the middle of a heist. It appeared that two furries (one in a bat costume and one in a cat costume) were ducking it out. And they…they were a necklace. All three of them had been turned into a necklace with their cores as gems accompanied by sapphires, pearls, and opals. And frankly gorgeous craftsmanship as the metal was crafted around their cores as if to cradle them and the other gems.

Unfortunately, they were too weak to take a form properly, they could still feel the strain on their bodies. But at least they could still communicate through their auras. Then the cat lady punched a hole in the glass container surrounding them and grabbed their necklace.

However, the bat grabbed the other end and it resulted in a sort of tug-a-war. Meanwhile, Danny, Ellie, and Dan were having a back and form commentary on the situation and what they should do. Completely unheard by the other party.

In the corner of their eye, the three halfas finally noticed a third contender. Some kind of clown who was…hold on…holding a gun?! And it was pointed straight at the two fighting furies who had yet to notice him. The ghosts’ protective instincts went into overdrive and they frantically tried to shout, yell, move. Just do something to warn the two but their cries fell on deaf ears. All they succeeded in doing was faintly glow which immediatly caught the attention of the fighting duo. The two turned to look at the strange necklace but right at that moment, the clown fired and a gunshot rang throughout the auction room. Having no other options, Danny and the others poured every ounce of ectoplasm they had to try and phaseshift, making the two furries intangible as the bullets passed right through them, but in their shock, the two jumped away in opposite directions and accidentally ripped the necklace apart. Gems and pearls went flying and the three cores bounced along the ground.

Luckily, the two finally noticed the clown and went to deal with him and his minions who had appeared. Seemingly putting their fight on hold and forming a temporary truce. The three halfas could only watch as the battle finally wound down, ending with the cops barging into the place and arresting the clown and his grunts, the cat managing to escape with half the scattered gems and pearls from the broken necklace along with a few other jewelry pieces (none of their cores though) and the bat leaving through a skylight.

The auction continued and in the end, despite being broken, their necklace seemed to have caught someone’s interest. A man named Bruce Wayne bought up every piece of the shattered jewelry wear. The auctioneers appeared relived that the item managed to sell in the end and gratefully gave it to him.

Bruce had no idea what happened at the auction, but he could have sworn that some of the gems faintly glowed right before he and Selina were shot. If the necklace was some sort of magical item, then he needed to understand exactly what has been brought to Gotham. It was unfortunate that Selena had taken some parts of the necklace but he utilized his vast wealth to make sure all the other parts ended in his possession. Now he would take them back to the mansion for examination.

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[blossoms-phan]

in their natural habitat. if you even care